high society
I was sitting here thinking, I should probably blog because I haven't in almost a week, but what do I have to talk about? And then I remembered I went to a play and a ballet last week. It's just, you know, I've become such a big-city girl, and I absorb so many highly cultural events on a regular basis, I forget that what is daily life for me may be extraordinary for the masses. Because I'm really VERY cultured.
The play was Anton Chekhov's Three Sisters. I saw it at the Schaubühne, a long-famous Berlin theatre known for radical and experimental productions. The Chekhov production was modernized, and the set they used was really fascinating. The whole floor was mirrored, and the back wall looked like corrugated metal. During the first act there were lots of plain metal chairs on the stage, and a 3-foot-high platform across the whole front of it, which they used as various rooms in their house. For the second act they took everything down, and there was just the mirrored floor starting at the feet of the people sitting in the first row and running all the way to the back wall. The actors stood and milled around on stage, and the lighting was such that their shadows and the shadows of their reflections in the floor were cast on the back wall.
The whole play was in German, too, which added another interesting dimension for me. I've been getting better at understanding a lot more, though, particularly when it's not clearly spoken, which is always more difficult. Like when a character in a play throws a crying/screaming/falling down often fit on stage. (There's a lot of that in Three Sisters.)
On Friday night I went to see the Berlin Staatsballett perform Swan Lake at the Staatsoper (State Opera House). I wish I'd been wearing a long black evening gown and elbow gloves and fur-lined cape, watching the ballet from a seat in a box. The opera house is plush and ornate and opulent, and such a great place in which to see my favorite ballet. (Of the few productions I've seen, that is, but I'm pretty sure it will always be my favorite.) I was actually wearing pants and sitting off to the side in the first balcony among a lot of people speaking French--not the best seat (though I have nothing against the French), but great considering I didn't buy a ticket until half an hour before the performance, and plus it only cost me €5.
If you think you're probably not going to be able to make it over to Berlin to go see Swan Lake with me in the next couple months, remind me to take you to see the next conveniently-located production of it near you. Your life will be better for it.
The play was Anton Chekhov's Three Sisters. I saw it at the Schaubühne, a long-famous Berlin theatre known for radical and experimental productions. The Chekhov production was modernized, and the set they used was really fascinating. The whole floor was mirrored, and the back wall looked like corrugated metal. During the first act there were lots of plain metal chairs on the stage, and a 3-foot-high platform across the whole front of it, which they used as various rooms in their house. For the second act they took everything down, and there was just the mirrored floor starting at the feet of the people sitting in the first row and running all the way to the back wall. The actors stood and milled around on stage, and the lighting was such that their shadows and the shadows of their reflections in the floor were cast on the back wall.
The whole play was in German, too, which added another interesting dimension for me. I've been getting better at understanding a lot more, though, particularly when it's not clearly spoken, which is always more difficult. Like when a character in a play throws a crying/screaming/falling down often fit on stage. (There's a lot of that in Three Sisters.)
On Friday night I went to see the Berlin Staatsballett perform Swan Lake at the Staatsoper (State Opera House). I wish I'd been wearing a long black evening gown and elbow gloves and fur-lined cape, watching the ballet from a seat in a box. The opera house is plush and ornate and opulent, and such a great place in which to see my favorite ballet. (Of the few productions I've seen, that is, but I'm pretty sure it will always be my favorite.) I was actually wearing pants and sitting off to the side in the first balcony among a lot of people speaking French--not the best seat (though I have nothing against the French), but great considering I didn't buy a ticket until half an hour before the performance, and plus it only cost me €5.
If you think you're probably not going to be able to make it over to Berlin to go see Swan Lake with me in the next couple months, remind me to take you to see the next conveniently-located production of it near you. Your life will be better for it.